First Images From New Films By Soderbergh Baumbach Safdie Brothers And More World Of Reel
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Production on ‘Impeachment’ will begin in February 2020, with a peculiar, almost-too-close-to-election-day, premiere date of September 27th, 2020. FX Chief John Landgraf was asked about the September 2020 timing of the release and the negative tweets about it being so close to the November election —yes, there are people out there concerned about the impact this would have on an election and asking FX to reconsider its release timing … Landgraf’s rebuttal was quick and swift: “The idea that we can’t have art, we can’t have nuance, is toxic in the media environment,” he said....
Production has indeed wrapped on Wolfe’s film, which started shooting in November of 2021. That’s a 10-month shoot. There must have certainly been delays along the way, no? I thought only Martin Scorsese was allowed to have to these type of lengthy shoots. Wolfe directed 2020’s “Ma Rainey’s Black Bottom” and his upcoming “Rustin” revolves around gay, civil rights activist Bayard Rustin (Colman Domingo), who organized the 1963 March on Washington — the ingredients are most definitely there for primo Oscar bait....
In an article I wrote titles Post-Male-Gaze ‘Charlie’s Angels’, I warned that this one was misguided from the start: The Elizabeth Banks-directed-written and produced movie was never intended to emulate director McG’s aught-released movies of the popular TV series. No, Banks’ film was supposed to be a sort of feminist ‘Angels’ — which always felt like a misguided idea considering the gist of ‘Angels’, whether on TV or film, was always about the ‘male gaze....
So, consider me not that shocked that Coppola has re-edited “The Godfather: Part III” and changed its title to the preposterously lengthy “Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone.” Is he also going to be replacing Sofia Coppola, the nadir of that third chapter, with a competent CGI actress? Because, honestly, that’s the only thing he should edit out of Godfather 3. You see, I, unlike the majority of movie fans, actually love “The Godfather Part III....
a) Leonardo DiCaprio continues to only work with the highest-tiered of directors. He’s made a career out of only and exclusively choosing the best of the best in Hollywood film directors; Quentin Tarantino, Martin Scorsese, Christopher Nolan, Steven Spielberg, Ridley Scott, Clint Eastwood, Alejandro Gonzalez Inarritu. b) Guillermo del Toro hasn’t made a movie since 2017’s Oscar-winning “The Shape of Water.” He currently has a live-action “Pinnochio” in-store for Netflix and now this new project with DiCaprio, which is a remake of 1940’s film noir “Nightmare Alley....
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“With the spread of COVID-19 having accelerated in the U.S., we expect a prolonged impact,” the analyst wrote. “We had previously assumed that the spread of COVID-19 would be relatively halted, with social distancing requirements significantly lessened by late 2020. We have now extended that timeline out to at least mid-2021; the situation remains very fluid, and we do not rule out the possibility that the impact could last even longer....
“If I were to do another ‘Terminator’ film and maybe try and to launch that franchise again, which is in discussion, but nothing has been decided, I would make it much more about the AI side of it than bad robots gone crazy.” This is certainly something he hasn’t spoken of at all during this recent blitz of interviews he’s given. Props to the Smartless hosts for getting this out of him....
A new interview with Sparks musician Russel Mael has the artist talking about his work on Carax’s upcoming musical “Annette” [via Consequences of Sound] and, suffice to say, it sounds like a very unique cinematic experience (would you expect anything else from Carax?) The screenplay for “Annette” was written by the musical Mael brothers (Ron and Russell), otherwise known as Sparks a musical duo launched 47 years ago. The cryptic, but official synopsis of “Annette” has a stand-up comedian (played by Adam Driver) and his opera singer wife (Marion Cotillard) discovering that their two-year-old daughter has a “surprising gift....
One of the cast members, Fabrizio Gifuni, mentioned that Bellocchio could not be in attendance because “he’s currently editing what will be his final film. You will see that next year.” That film is “La Conversione,” currently in post-production and, probably, aiming for a Cannes world premiere. If this is indeed the 82-year-old’s final film then he will be closing one of the great Italian filmmaking careers. Bellocchio has been going at it now for close to six decades....
Rylance is a legend in his own right. Earning a reputation as one of the seminal Shakespearian actors of our time. According to Sean Penn, is “probably the closest thing to a magician we have in the field.” Al Pacino chimed in with the utmost respect for the guy as well: “Rylance speaks Shakespeare as if it was written for him the night before.” And even Steven Spielberg sent out praise by saying Rylance was “one of the most extraordinary actors working anywhere....
All kidding aside, If you did get that email, chances are it was a request for buyers to come and catch a first glimpse at Roman Polanski’s latest film, “An Officer and a Spy.” The film’s launch to buyers took place at Le Studio just off the Croisette, according to THR. A packed house attended the show with French star, Jean Dujardin (The Artist). The film is about Captain Alfred Dreyfus, a French-Jewish solider wrongly accused of spying for the Germans in Paris in the 1890s....
In the piece, Buchanan manages to speak with 24 heavy hitters (producers, studio execs, writers, directors, actors), the thick of the discussion revolving around the rise of streaming and what its impact on theatrical distribution would look like ten years from now. It’s well worth a read, but I’ll narrow it down to two particular interviews which spell doom and gloom for theatrical cinema. First, there’s Kumail Nanjiani’s insistence that today’s generation of young adults just don’t really care for going to the movies: Nanjiani continues: Ava DuVernay has fairly similar sentiments about the subject: The general sense that I got from the whole thing was that we are likely headed into a complete and total abyss in which there will no longer be movies available for adults in movie theaters....
He admitted in the AMA what the three favourite performances/movies of his were: I decided to scroll through his filmography and — hot damn — there are so many great movies to choose from. What a career this guy’s had. And, know what? Despite a stretch of years where he was close to bankruptcy and took on roles purely on the basis of a paycheck, he’s never phoned it in....
It turns out, “Dog” is not a bad movie, or, at least, not the disaster it was purported to be. A 77% on Rotten Tomatoes is, quite frankly, surprising. Wasn’t this supposed to be a contender for next year’s Razzies? A poster wrote, “An aside, but is Channing Tatum right wing or something? “Dog” felt very red-state oriented. Like a Clint Eastwood movie, but inept and free of nuance. There’s some super cringey stuff in there, for sure, trying to score easy points against terms like hate crime, toxic masculinity and wokeness....
As you’ve surely noticed, the Oscar voting body love themselves a good narrative and there is no better narrative this year than that of deaf actor Troy Kotsur (“CODA”). Before his Oscar nominated turn, the 53-year-old journeyman’s best known film work was a very loose supporting turn as Barnaby in “The Number 23.” Otherwise, his credits mostly consist of guest appearances on TV shows. Of course, we could all just be underestimating the love the Academy might have for “Belfast” and Ciaran Hinds, but I highly doubt that....
A big title among the MMORPGs is Path of Exile, it surely is one hell of a video game but it still has competitors of course, really strong ones I presume. One such competitor is Diablo 3. Diablo 3 is an extraordinary title in the gaming industry and it has been the only opponent to Path of Exile that has given POE a really tough time when it comes to comparing the both games....
Almodovar tells Deadline that he “came to the decision that he’s not ready to tackle such a monumental project in English.” I always wondered if Almodovar’s very Spanish-centric melodramas could translate well into the English language, alas, unfortunately we mightnever know as I’m of the frame of mind that he will probably never attempt that again. Not many renowned world filmmakers have managed to make the successful leap to American cinema....